Search: Starring Abbie Cornish

Nuanced and thoughtful, alert to the individual suffering behind the headlines, cogniscent of the bigger picture.

A poignant and rewarding tale.

When Liz dons her breast plate and rallies the troops at Tilbury, you'll want to put down your paella and rush out and sink a few Spanish ships yourself.

Crowe's too substantial a lead man to fit into these Hugh Grant-ish shoes.

The story is absolutely barking, but it comes alive in many moments of fine detail.

It's almost as if the project ran out of money or whole scenes were cut to preserve the runtime, as after setting up some juicy ideas, the film cheats us by ushering in conclusions which leave the words 'but how did that happen?' hanging accusingly in the

Erotic and infuriating.

Ditching the satirical elements for a more straightforward sci-fi 'issues' approach, Padhila goes for a more serious minded investigation of the man-machine control conundrum.

McDonagh just about makes this ultra violent meta train ride all hang together.

Almost everything about the film just feels right.

Stop-Loss is the most pro-troops Iraq war-film I have yet witnessed.

A sordid slice of rancid pop-culture vomit that leaves a toxic aftertaste.

Fortunately, McDormand never lets Mildred's hold on us slip, balancing the conundrum of a woman who is simultaneously a mum, who likes a beer and a game of pool, and a Rambo-style avenging angel.

Watching the film, which refreshingly tells the story from Wallis's perspective, you begin to wonder what on earth Madonna was thinking when she decided to tack on a framing device involving a modern Manhattanite's abusive relationship.